Much like Bousman’s “Saw” films, the sepia-toned visuals are drearily muddy, though the outlandish costumes and make-up provide some visual distractions.
The sung-through musical score somehow manages to contain not a single memorable song, though the performers give it their undeniable all. Other characters in the gothic proceedings include Nathan’s sweethearted daughter Shiloh (Alexa Vega), afflicted with a rare disease Rotti’s demonic sons (Ogre, of the band Skinny Puppy, and Bill Moseley) and cosmetic surgery-addicted daughter (Paris Hilton, in an example of futuristic typecasting) a blind opera singer (Sarah Brightman) and a colorful grave robber (co-writer Terrance Zdunich). Supreme Court Weighs Copyright Protections in Case Over Andy Warhol Paintings of Prince
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